|"Mad as a Box of Frogs" by Becky Brown. Used here by kind permission of the artist
Twitter and Facebook were ablaze earlier this week with the unfolding (or should that be 'unravelling'?) story of a writer who had taken exception to some (to be honest, rather mild) criticism about a book he had created with iBooks Author. The full exchange can be read HERE. Be warned, you might need a large pot of coffee if you hope to get through it all in one go.
If you have better things to do than trawl through all that, suffice to say it's another example of a writer launching what I'm sure he believes is an entirely justified defence of his work, standing up for his artistic integrity, etc, etc. He asserts that the reviewer is factually wrong to, for instance, call his prose "workmanlike", and goes on (in an extraordinary series of twenty-three comments, posted over ten hours (and that's just the start!)) to post extracts from his work, saying some of his descriptions are worthy of Keats or F Scott Fitzgerald. As far as he's concerned, he's doing the critic a favour, by highlighting examples of his writing that prove the review is incorrect.
The problem is, writers don't get to do that. When somebody reads something we've published, their response to it is entirely outside our control. If they think the prose is workmanlike, or the plot is unoriginal, or the characters are unconvincing, then our only option is to take it on the chin. It's only one person's opinion, after all. If several people say the same thing, that probably highlights a weak spot that would be worth concentrating on when it comes to the next book, story, or poem. What we don't get to do is fly off the handle, accusing the reviewer of telling lies or being ignorant. Because that will only ever make you look like a complete nutcase.
I think the only case when it might be appropriate to response to a review is when there has been a genuine factual error - for instance if they've misspelled your name, or got the book title, ISBN, or release date wrong. Anything else, you just have to let go. And even if there is something justifiable, then a discreet email to the reviewer or editor of the publication in question is a far better option than waging all-out war in the comments thread.
Personally, I'm going to keep hold of the link to this particular example of a writer in meltdown. If, in the future, I find myself published and on the receiving end of what I consider to be an uncharitable review, and I feel my fingers creeping towards the keyboard to unleash the kind of righteous indignation that only a writer can muster, I will stop, read the entire "Venice Under Glass" thread from start to finish, and then see if I can summon up the will to tear into the reviewer in the same way. Chances are, I won't. And that can only be a good thing.
In one of the happy accidents that the internet often throws my way, while I was looking for a picture to illustrate this post I chanced across the work of Becky Brown. Her animal illustrations are fantastic - full of life and personality. If you like them as much as I do, please go and take a look at the wonderful prints and cards for sale in Becky's shop.